Bollywood is going through a metamorphosis, what dominated in sixties was emotional melodramas and patriotic themes to seventies restlessness for social justices lead to the creation of “angry young-man” and eighties saw the emergence of romance and optimism with new parallel cinema thrown in. Nineties saw the global settings of Bollywood reflecting the success of Indians abroad and Bollywood started setting stories rather than songs abroad. And last decade dominated by Khans and KJo ( Karan Johar) took Bollywood stories to aspirations of living the dreams in an escapist land. Reality took a nose dive, it was all about Indian sentiments set in designer ware.
Thanks to multiplex revolution in urban India, cinema took a serious U turn, powered by younger and more saner breed wanting to take Bollywood out of long hibernation. After Ray’s and Benegal’s and Marchant’s and Jabwalla’s India cinema virtually went into an hibernation till “Lagan” came along.
Today after “Udan” and “Peepli Live” one can say that the ugly caterpillar is morphing into a beautiful butterfly.