2013 is a very special year for Cannes lions as the festival completes sixty amazing years of celebrating creativity, India joined the party late but nonetheless quickly made an impact with Fevicol in late 90’s thanks to Piyush and his talented brother, Fevicol went on to become an icon for Indian creativity till Times of India and Agnello Dias took to the center stage. TOI and Agnello became synonymous with India creativity after winning a Grand Prix for Lead India same year Leo Burnett joined party with an incredible print campaign for Luxor with a record six lions including two golds. No one had ever expected India to out do that performance. With 2009 success Paddy emerged as a new star and soon teaming up with his onetime partner Agnello to launch TapRoot India.
TapRoot started playing a key role in taking Indian creativity forward, they not only had tremendous commercial success but have also been the torch bearers of Indian creativity, to draw a parallel one wondered what would happen if Piyush and his generation creatives were to retire? Well like in India cricket found the answers in Virat, Rohit, Shikhar, Raina and Bhuvaneshwar Kumar. So who is in Indian Advertising after Piyush, Balki and Prasoon? My answer would be Agnello, Paddy, Kennu, Rajiv, Nitesh and Arun Iyer these boys have taken India forward while Paddy lead TapRoot charge of 6 lions Kennu/ Rajiv lead Ogilvy’s with a record 10 lions.
The fabulous India show at the sixtieth Cannes special raked in 32 lions and come close to beating Brazil in print. I am sure the generation next will take India to the top summit soon as young Brazilians creative leaders did after Marcello Serpa.
In 50’s & 60’s Indian advertising blindly carried forward or mimicked the British, 70’s saw the influence of the American advertising fueled by FMCG’s and 80’s witnessed self-discovery of Indianess with television opening new doors. And Indian creatives were also exposed to the world and somehow “Thai” advertising influenced many of us as it reflected our realities with heavy dose of emotion combined with insightful “Pandeyji” type humor. 90’s exposed us to the cutting edge competitiveness of “Awards” our English-speaking writers and art directors influenced by Neil French started to produce minimalistic crafty ads. The new millennium made us watch Brazil take the center stage with Marcello Serpa as their leader.
Brazil became a role model for Indian advertising creatives, Brazilian ads were packed with high voltage of entertainment and cleverness with impeccable craftsmanship. Brazilian creatives became superstars by winning loads of awards and admiration, and Indians wanting to emulate the formulae started to create pro-active one-off ads and in the bargain lost the originality of what we are as a race and what are were fast becoming.
If one were to introspect we as people are far more closer to Japanese than carefree Brazilians, we lack Japanese discipline agreed but we both have two things in common “Humanity and technology” a leg in the past and the other in the future. Infosys, TCS, Wipro and the inspired San Jose migrated geeks opened ambition and possibilities in the small town Indian MCA’s minds. Who were responsible for some of the most tech supported innovations around the world by writing and breaking codes. Sadly these geeks operating from the poverty stricken backyard garages of Vijayawada and Mysore, were not even recognized by our very own tech savvy digital wiz kids. Now imagine these code writers collaborating with creative minds like Agnello and Rajiv Rao to create life-changing ideas for eradication of illiteracy or infanticide.
Japanese creatives show us the way with Grand Prix winning “Yubari” case or this year’s Honda Motors Internavi “connecting lifelines”case. Honda’s reflex action within 20 hours of last year’s earthquake and tsunami rocking Japan put the country back on road to recovery by providing road information collected real-time via Intranavi navigational systems installed in the vehicles. They actually used the data on Google maps and visualized usable roads to public via Internet and Google maps. This is an excellent case of “Humanity and technology” coming together to solve a problem.
This is what the future India can do with creativity and technology, to my mind it’s the technology powered with creativity has the power to change our country’s contradicting and contrasting problems. Now its in our hands where we want to aim our dum-dum bullet.
Did I say bullet train?